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Watching: Ringer

on Wed, 02/01/2012 - 13:17

It Just Got Normal

This is the big problem with Juliet: she's unconnected to anything else on the canvas except as a pain in the ass for her parents.

So pretty much anything she does or says becomes wasted space. Which is unfair to the character (and the actress) but that the way it looks to me. Instead of watching Siobhan play with Tyler and Henry, I'm stuck in high school. Instead of Machado getting more than a scene or two in the background, I'm forced to try to remember the name of Juliet's little friend. (Andrea. Her name is Andrea.)

Now they have added Juliet's accusations of rape against her teacher. And I am checking out of this story completely.

Whether Juliet is telling the truth or whether she's lying - from a larger story standpoint - it's all noise. There are no clues there to the Bridget/Siobhan dichotomy that is the central element of the show. It won't give me anything about Andrew that I couldn't have already guessed. It sucks up valuable time and attention from the rest of the already large supporting cast.

My guess for how this will go down is that the whole thing is a scam. Juliet will "admit" that she made the whole thing up and Carpenter will sue Andrew for a huge amount of money, planning to take Juliet and run away to Mexico once they are rich. Or at least that's what she's convinced herself will happen.

If Juliet is telling the truth, then I'm climbing up on a completely different high horse. Because I've seen this story over and over. Soap operas do it all the time. They take a character who is ostensibly a "bitch" or the "bad girl" or just the wrong side in a triangle with the town sweetheart and they give her a rape storyline. And she suddenly is getting sympathy and affection from all the people who otherwise wouldn't have anything to do with her. It's manipulative and insulting.

Thing is? I liked Juliet better when she was Siobhan's nasty step-daughter. I loved her giving attitude to Bridget as she was trying to be all nice and motherly. I kind of wish Andrew was still neglecting her - or he flat out didn't think there was anything wrong. It would have given him a shade of grey. Instead we get him thinking that the solution to her acting out is the New York public school system?

Now you know that's. just. stupid.

Watching: Glee

on Wed, 02/01/2012 - 12:54

Michael

Manages to convince me that Rachel really did feel desperate enough to accept Finn's proposal. Not that I agree it's remotely a good idea, but Lea Michele sells Rachel's pain. Sells her fear and jealously at seeing first Quinn and then Kurt beaming that smile that says "I know where I'm going."

Sebastian makes for one slimy little bad guy. Even worse than Jesse. I suppose they needed one to vary the drive to Regionals. He's such a cartoon of a character, but kind of fun. We'll take "kind of fun."

I do like that they gave Quinn a happy ending. Or at least the possibility of it; there's still half a season left. Not only do I still like the character, it's just such a relief that the show doesn't feel the need to make everyone miserable. Which is why I'm also rooting for Sam and Mercedes. Or rather, I'm rooting for Mercedes and Sam to be happy and if that's with each other then that's nice.  

There were a lot of nice moments in this episode. Kurt's dad. Cello guys. Artie getting to dance and Mike Chang getting to sing.

But I'm just the tiniest bit disconnected from the overall narrative drive of it. Unlike the first season which had me on the edge of my seat wondering what would happen next, this season is just kind of there and that's okay. Or not. You know. In a Jack Handy kind of way.

Yeah.

Season one was Spike walking through town going, "Well, this is just... neat!" Season three is "And that's... okay."

TED Takes on SOPA

on Wed, 01/18/2012 - 16:53

Watching: Glee

on Wed, 01/18/2012 - 15:04

Yes/No

Just about everything in this episode would have worked better if the series didn't have the habit of dropping storylines for months on end.

It was a sweet story for Will and Emma. They drag out everything they can do make us think that Emma might say 'no' and I wasn't sure because she could have always pulled out the "What you said to convince yourself convinced me and now you're sure and I'm not" routine. But then every one of his students might have drowned themselves and that would have been messy so I'm glad she accepted the proposal.

Finn and Rachel. Finn's issues have always had to do with his leadership and his drive to prove himself. I have to admit that when Finn announced that he was joining the army, all I could think was that I'd only support that move if he and Rachel got to sing "Do It for Your Country" from Grease 2.

As it was, the moment with Finn's mother was really powerful. That totally rocked the poor boy. I don't think that the answer is to get married straight out of high school, but I can see where Finn thinks he's coming from.

Of course, Rachel isn't likely to say 'yes'. At least, I hope she doesn't say yes. I can't imagine her thinking she can get married and have her Broadway dreams. She's smarter than that, right? But maybe she's feeling low after missing out on the college she wanted. But to buy into that I  have to believe that Rachel didn't have a backup college.

It's a common - yet very annoying - TV story angle to only let characters apply to one college because then you can have such drama when they get rejected. Gossip Girl pulled out the same thing with Blair Waldorf. Like there aren't two hundred schools in New York. Or Rachel and Kurt couldn't pick one school as freshmen and then transfer somewhere else a year later. Or just hit the audition circuit like everyone else on the planet.

In this case, it's necessary to explain why Rachel and Kurt don't go to New York like they've been talking about for years because they have to still be in Ohio next year. So that one school doesn't get back to them and their dreams are crushed and the actors stay on contract. I kind of wish they'd just graduate and then move on to the next generation.

I know everyone's got their favorites (I'm going to be bummed if Blaine ever leaves) but clinging to the stars beyond the natural end of their characters' story isn't a solution. They just wind up over-staying their welcome and making everyone thoroughly sick and tired of seeing their too old for high school faces hanging around. And they already have a problem with cast bloat on this series. Let people go and refocus on the more neglected characters coming up behind them.

But that's a big picture thing. I did like this episode for what it was. I liked Will and Emma. I liked the song choices. Becky insulted Puck's hair and Sue was relatively restrained yet still mocked Artie's driving gloves. It's the little things that make me happy.

And there's this: "I bet you had to overcome a lot with those crooked nipples."

Which will never not be funny.

Watching: The Secret Circle

on Fri, 01/13/2012 - 13:18

Fire/Ice

So more Lee - which I like. Just because he's pretty. Although I still suspect that Faye's secret crush is really on Melissa.

More Cassie/Adam fuss - which I don't so much like. Thomas Dekker seems to be mostly acting by pursing his lips and I can't decide what is up with Adam asking his ex-girlfriend to tell his potential new girlfriend that it's okay that can they date. 'Cuz. Seriously? That's not a very nice thing to do to Diana. But the stuff with his father is good and I do like it when TSC pulls in the adults. Adam's emotional shrug when his dad announced that he hadn't had a drink "for a while" said way more than his puppy dog face Cassie-ward.

Cassie's thing with her dad and the fire has always had potential. Looks like we'll get more information on that next week. Which makes me more interested in next week's episode than this weeks episode. On the other hand, it means more Jake angst.

Oh. Jake. Who knows. Maybe he'll have a point after all.

I just can't get quite so worked up over this show. I didn't see the first season of the The Vampire Diaries until it was out on DVD, so it's hard to compare the learning curve here. By the time I did see some of the less successful first season episodes, I was hip deep in Katherine and Mason in season two. Perhaps this is just some of the grind up to the good bits. Like a roller coaster going up that first hill before the "whooosh."

Watching: Glee

on Wed, 01/11/2012 - 15:04

The Sue Sylvester Shuffle

Glee replayed their post-Superbowl episode last night. And now that I'm looking at that title, is it really all that appropriate? I suppose she did "shuffle" the regional competition for the cheerleader around, thus prompting the main plot point of the football players having to perform the half-time show.

Anyways.

I want to hone in on a couple of points that this episode really brings up. The first has to do with what I've thought of as McKinley High's "under-developed ecosystem." TV in general tends to narrow its focus (extras cost money, after all) so we rarely venture beyond the football team vs glee club rivalry displayed here. I think that's a huge missed opportunity for Glee.

For example, we see the football team get slushied by the hockey team during their little victory walk. The "Mullet Heads" have been seen before, but their appearance raises the issue for me: where are all the other clubs at McKinley?

Why was the glee club should have been in competition with all the theater folks for West Side Story. But what about that wrestling team that Lauren Zizes is supposedly on? The A/V club? The chess club? Can you imagine how much more effective it would have been for Karofsky to get slushied by a member of the chess club? If that had happened, I might have had a tiniest bit of sympathy for the guy instead of wondering why he folded so easily. (Survey says? Script-dictated meltdown. But of course.)

It also would have come at the bullying angle from a far more complicated and subtle direction. I assume that Karofsky has been bullying more students than just the glee club. Though he might have singled Kurt out specifically for a variety of reasons, there's no evidence that he's actually nice to - well - anyone.

So having the other clubs take their opportunity to have a little back would have been a demonstration of how that kind of behavior spreads and creates these cycles of nastiness. A cycle of slushy violence, if you will.

It also would have given Glee the opportunity to pull out some of that ironic editing and dramatic smash cuts that they like so much some times then completely forget about at others. Which is the second point that came up: the uneven tone of the show.

In one corner, Sue is off setting her cheerleaders on fire and shooting Brittany out of a cannon. Obviously high satire of her drive to win.

And in the other corner, we have a painfully earnest demonstration of how teachers believing that students can change their behavior and bring them together and are you zoning out yet because I am. It's written, acted, directed and edited completely as if we are to invest in Karofsky's emotional conflict and care whether he becomes a good person or not. I complained in the full episode review of "The Sue Sylvester Shuffle" that Karofsky has committed the cardinal sin of being dull, but I think what's really going on is that it seems like his story is the one story that I'm supposed to take seriously but I can't really trust that in the middle of all the crazy.

This is why Sue's character has become so odd-man-out. Because she really is just off on her own doing her own ridiculous thing while the rest of the show is Real Drama. The contrast between Absurd Sue and everyone else winds up pulling everything down. I can't get past Sue as a charicature  because hello human cannonball, but at the same time, I can't really commit to Karofsky because I never know when I'm suddenly going to be pulled over into...

Well. Into the "Sylvester Shuffle."

Watching: The Secret Circle

on Fri, 01/06/2012 - 09:05

Darkness

So this is back from mid-season hiatus, along with Vampire Diaries. Have to admit that I'm not feeling the love here but we'll give it another chance.

I had hoped that we were done with Jake because he was boring. But he's back at the end of the episode. Here's hoping Cassie finally does choke him. (How can I miss you, Jake, if you won't go away?) I suppose they can't kill him because they made such a fuss about the Circle being six people. So unless someone else has a sibling they forgot to tell us about, we're stuck with Jake.

Is Charles' mother using witchcraft as skin care? Because I was a little confused there when she showed up. She did not look like a grandmother. Of course, she didn't do grandmother things either. Cook. Worry about inappropriate girls dating her son. Bury people alive.

Though I did enjoy watching Charles and Dawn make awkward around her. Nothing like dragging out everyone's Mommy Issues for the evening. That scene could have been much more delicious and played with Diana and Cassie's obliviousness. Imagine the delicious dialogue they could have given Natasha Henstridge.

Also on the plus side, we have Lee. Who is really cute and really hot and really all sorts of other adjectives. I wholeheartedly approve of him and Faye getting into trouble together so I assume that he will swiftly meet a horrible death that makes her cry.

Poor boy.

Adam showing up to apologize to Cassie in front of Diana and rub a little salt in the wounds was pretty strange. I wonder if that was Cassie working some mojo without realizing it? Or is Adam really that lame that he's going to go to his ex-girlfriend's bedroom to talk about how they need to be nicer to the girl they ended their relationship over? Because why?

The show is conveniently on after TVD, so I'll probably keep watching for the rest of the season. But things had better pick up quickly and get to the point.

Watching: The Vampire Diaries

on Fri, 01/06/2012 - 08:51

The New Plan

I'll get my complaint or two out of the way and save my praise for the longer review. Because it was a good episode, but I'm easily distracted.

Case in point, I'd like to congratulate the show for once again distracting me with its art direction. Kind of like wondering why Damon has a massive urn full of decorative soaps in his bathroom, I'm now concerned about why all of Klaus' family is in matching coffins.

So did Klaus always have a matched set? Did he bring Rebekah's from Chicago just in case? I suppose if he had, then there would be five coffins and one would be empty. The one coffin is sealed with a spell. Does Klaus pop it open every now and then and move whoever is in it to a new coffin and seal it again so that they all match? Or does he constantly have to search around to find new coffins that match the original one?

Damn. That must be worse than having a rare china pattern and breaking a plate.

And even more annoying is the fact that we are still using "dagger" as a verb. We already have a perfectly good verb in "stabbed." You "stabbed someone with a dagger." You don't "dagger" them.

People don't get "daggered" just like they don't get "sworded."

Or maybe they do. I don't know. Maybe "swording" is what happens on Highlander when they pause tape so that someone can run into frame and hand the actor the sword that he supposedly keeps tucked into his trench coat pocket but doesn't really because if he did, he'd never be able to sit down.

Anyways.

I'll be over here marveling at Damon's growing level of self-awareness: "You know me - never miss a chance to plan an epic failure."

Indeed.And that's what we love about you, sweetie.

Watching: Vampire Diaries

on Fri, 11/11/2011 - 05:44

Homecoming

So now Damon not only has a plan, he has a secret contingency plan?! I swear they are just messing with me at this point. 

That mockery out of the way, it wasn't a bad plan right up to the moment that he completely and totally flubbed the kill. We talked about this: Damon does not get put in charge of stabbing people. He has lousy aim. How he didn't wind up dead on a battlefield somwhere continues to baffle me. 

I know it's a little unfair. Klaus had to get away. Just like Katherine had to find the moonstone. Klaus has to get away. And while I am bummed that we don't get any more of Sebastian Roche except in flashbacks (TVD body count!), I do understand why they kept Klaus around. He fits the age bracket and issue set better. Stefan and Klaus can now compare "how I killed my father" stories, for example. Also - okay I lost count of how many siblings Klaus has - but there's got to be at least a couple when haven't met yet, right? There's something to look forward to.

Plus, it opens up this whole thing with Stefan. Which? So. Much. Fun. He's finally got something going on that can show off how cool he is. I've been saying all along that he needed something to do. I especially like this twist because he can get mean without directing himself at innocent bystanders. Or falling back on arguing with Damon over Elena. (I'll note again in passing that they are doing a good job of earning the whole Elena/Damon thing.)

I'm just really hoping that Stefan turns out to have gotten the brains in the family. And has better aim. 

And wakes up Elijah!

Watching: The Vampire Diaries

on Fri, 11/04/2011 - 08:05

Ordinary People

Famous last words: "Damon's got a plan."

That said, letting Stefan out worked for me since seeing him do nothing but and glare at people was only going to take us so far. And I love that they are going back to the family angle - particularly in tandem with what's going on with Rebekah and Klaus.

They did a (perhaps) clever thing with the flashbacks. What we saw was very clearly limited it to only what Rebekah knew. There was, for example, a very deliberate moment where we saw her eavesdropping on her parents. That explains why we didn't get flashbacks of Esther's death. I assume that we'll see that from Klaus' point of view in the future. You don't go casting Alice Evans and then only have her stand in the background and look nervous.

Next week is Homecoming (how appropriate!) and it looks like another one of those Mystic Falls Events Gone Wrong. At a certain point, I really do have to wonder about the people in this town. Wouldn't you just stop showing up for these things?

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